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July 20, 2025

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white subway tiles with two tiles that are eyes, with a security half-globe on top
Subway station, July 2025. Photo by my kid.

7/18/25

I took this notebook with me all the way to New York and never opened it. I thought about it—mainly the day we went to The Center for Fiction, and I was sitting in a big comfy chair and knew I had two free hours, and also, the place is meant for writers. You know who I saw there? Around a table, writing, were white men and women. At a solo desk, a Black woman. On the couch behind me were two Black women having a long conversation in hushed tones, and the cadence and flow of their quiet talking soothed me. Also nearby was another couch, with a white woman sprawled on one half. At a small table with two chairs and some conspicuous outlets I had eyed, a white man came to sit, write, and have at least two phone conversations in which he said things like, I don’t fucking have time. I was amused that at least two of the writers I could see held precious little notebooks and wrote by hand. At one point an Asian woman came to sit in a chair and she also produced a pen and a notebook from her bag to write, then she left after about fifteen minutes. During my stay, my mini-afternoon residency, a young woman came in from the heat and high humidity and I recognized her and said her name. I stood and we hugged and greeted and she asked me something like, Are you working on a book? Which I realize now can sometimes feel like asking someone if they’re pregnant. My answer was garbled—because, am I? Am I “working” on “a book”—hard to even say what I’m doing anymore. I seemed to recall reading in this woman’s last essay that I’d read that she was working on a book, so I felt alright asking. We both sounded unclear to my ears. Maybe it was weird for her to see me in her city. I don’t know the story, or if there’s backstory—but at The Center for Fiction I won’t create a story out of nothing.

But it was funny to keep running into writers I knew. Random. Like running into Lynne Tillman on the plane. I realize I’m mentioning her name, and not the name of one of the writers I ran into. Have you seen Lynne Tillman? She walked by me on the plane as it boarded, and I tapped her arm and said, Are you Lynne Tillman, and she said, Yes, and from behind my mask, I introduced myself and she said, Oh yes! Wendy! and told me she was doing a reading on Saturday in Los Angeles. I didn’t go, because as I remember with every trip to New York, I step onto the plane home, and I need days and days to recover from the stimulation. I returned to an LA of grey skies and coolness.

It was funny and beautiful, though, all of it.


Brown background with white text. Text reads: POWELL'S BOOKS PRESENTS WENDY C. ORTIZ WITH EMILLY PRADO. POWELL;S CITY OF BOOKS, WEDNESDAY, JUL. 30, 7PM. Photos of Wendy C. Ortiz, Emilly Prado, and the book covers of Bruja, Hollywood Notebook, and Excavation by Wendy C. Ortiz
Portland! July 30th

Excavation, Bruja, and Hollywood Notebook book covers by Wendy C. Ortiz
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